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Editing done right Editing interface Edit faster with the most efficient, accurate, and flexible editing interface available. Work the way you want with the mouse, screen buttons or keyboard shortcuts, with full customization of screen and keyboard layouts to speed things up further. Trimming tools Avid's powerful trimming tools set the standard for speed and flexibility. Trim transitions with the mouse, on-the-fly, or nudge frame-by-frame. "Slip" and "slide" clips quickly with a comprehensive two, four or six-frame display. Script-based editing Take the work out of editing of scripted or transcript based productions. With ScriptSync, dailies are phonetically synced to the script automatically, so lining up dailies to the script takes minutes, not hours. Open Timeline Edit multiple SD and HD formats in real time, in the same timeline, without rendering or transcoding. Mix SD and HD, online and offline. Play any mix of resolutions in real time. Media management Avid offers the most reliable and accurate media management available. Don't worry about losing media or render files; the software tracks them all. It even allows sequences to relink to multiple resolutions. Database management Create custom metadata fields to track your material the way you want. Use multi-level sift and sort to find information that goes far beyond the reach of OS-level searches. Seamless integration into any workflow Total Conform Streamline your offline/online workflow with the ability to share projects and media between Media Composer and Symphony systems. Every media clip, edit, and effect is directly available, so you can start the online without delay. Avid Media Access (AMA) Avid Media Access provides full native end to end workflow for XDCAM HD and full native support including metadata integration and card/disc support for P2 and XDCAM-HD/EX formats. File-based workflows Save time and maintain quality using "tapeless" file-based workflows. Access P2 and XDCAM files directly from disc or card, with metadata. Edit the media in its native format and play out or write back directly to disk or card. Native HD codec support Start editing faster with native support for a wide range of HD codecs, including HDV, XDCAM-HD, XDCAM-EX, DVCPRO HD and AVC-I , in progressive 720p, 1080p and interlaced formats. No need to transcode, even when mixing codecs. Film editing tools The award-winning Avid Film Composer toolset offers the industry's most powerful and accurate film workflow. Save time with automatic syncing of audio and video and seamless tracking of timecode, KeyKode, and other metadata. Timecode and subtitling creation Speed up any online or audio post workflow by creating an on-screen timecode display in real time. Use the SubCap tool to deliver open-caption subtitling deliverables, with import and export of EBU-N19 formats. Multimedia export and DVD creation Use the integrated tools to create a large variety of high-quality output formats for Web or electronic delivery. On Windows-based systems, integrated DVD authoring tools let you create full-featured DVDs or fast-turnaround approval DVDs. Timestamp Export for BWF Insert the sequence timecode based on project type when exporting the timeline audio tracks as BWF (Broadcast WAV). Provides fast and easy sync reference for downstream process that do not support OMF or AAF such as slave playback devices. Engineered for collaboration Sharing media, projects, and ideas Seamless integration with Avid Unity media networks means true collaboration at any scale. Multiple editing systems can play the same file, and even capture to the same volume, simultaneously. Performance and reliability Engineered for deadline-driven, real-time collaboration, Avid Unity media networks combine high-performance hardware and software in a family of integrated, turnkey solutions, all backed and supported by a single, trusted source. Shared projects and bins Because media bins are not linked to specific projects or users, editors working in an Avid Unity environment can open bins from other projects, without having to copy media. And they can give other editors access to their bins, even while they are in use. User settings Take all your user settings with you when you move from one Avid system to another, even from an offline to an online or finishing system. All shortcuts, keyboard and screen customization are there for you to use, so you will be up and running in no time. Interplay support Bring collaboration to the next level with support for the Avid Interplay nonlinear workflow engine. Add sophisticated multi-contributor asset management, multi-resolution workflows, rules based transcoding, and other tools for facility-wide collaboration. Get the look, effects, and quality you envision Color Correction Save time and maintain quality with a fully integrated 10-bit color correction toolset. Only Avid offers NaturalMatch to quickly and accurately match shots. Or use the large palette of easy-to-use manual tools for corrective or creative adjustments. FluidMotion Create incredibly smooth slow-motion effects and "fit-to-fill" video using Avid's patented pixel morphing technology. Apply the look of progressive film to interlaced video material with the exclusive FluidFilm feature. SpectraMatte Create a high-quality key, even with compressed HD codec material. Eliminate guesswork and get the perfect key using the interactive interface. Preview your keys in real time and with online quality with 16-bit SpectraGraph technology. Fluid Stabilizer Stabilize shots with the most complex camera movements. Fluid Stabilizer works in conjunction with SteadyGlide and Stabilize to filter out error-inducing object motion from the motion analysis, resulting in extremely precise image stabilization Effect plug-ins Increase your effect library using third-party plug-ins, such as the bundled Boris Continuum Complete and Avid FX. Save time using the real-time playback capabilities of selected AVX2 effects. AVX plug-ins are fully integrated into the Avid user interface using the Avid AVX2 standard. Effect performance Get the best real-time multi-layer effect performance using Avid's advanced effect acceleration. Avid DNxHD support Edit HD material in real time on your software system using Avid DNxHD encoding, including HD offline using Avid DNxHD36 media. The high-efficiency Avid DNxHD codec is designed to maintain image quality during multi-generation editing.
A worldwide, world-class community Market leadership Avid knows about professional content creation. We have been in this industry over 20 years, and more TV and film productions are created using Avid tools than with those from any other company. Industry focus Avid is focused on the people and enterprises that make, manage, and move media. We are dedicated to creating innovative products and solutions that help professionals in this industry do their jobs more efficiently and to the highest quality. Editor availability There are Avid editors all over the world, and they are widely considered the best in the industry. So it is always easy to find freelance resources, qualified applicants, or simply a fellow editor. Tiered, expert support programs Avid offers a comprehensive range of support programs designed to fit your needs and budget. Whether it's free Web-based support, pay-per-case telephone support, a support contract, or installation services, we have the solution for you. Qualified online and classroom training Avid knows that training helps you get the most out of your investment. That is why we offer a range of training and certification options, including books, online courses and classroom training, and customized training programs. User communities Connect with your fellows editors. Get advice from Avid staff. Stay up-to-date on the latest tools and techniques. Avid offers a large selection of dedicated Web-based communities and forums, and actively supports many user groups all over the world. Avid Media Composer 3.0 Supports the following project formats: NTSC 23.976p 24p 30i PAL 24p 25i 25p HD - 720 720p/23.976 720p/25 720p/50 720p/59.94 HD - 1080 1080p/23.976 1080p/24 1080p/25 1080p/29.97 1080i/59.94 1080i/50 Native codec support DV DV25 / DVCAM (25 Mb/s): 4:1:1 NTSC, 4:1:1 PAL, 4:2:0 PAL, 24p DV50 (50 Mb/s) HDV HDV (25Mb/s) Native project formats: 1080i/59.94, 1080i/50, 720p/23.976 (with support for 24p material), 720p/25, 720p/29.97, 720p/50, 720p59.94 Capture over IEEE-1394, edit, playback, export to file without timecode (export not for 24p material) Sony XDCAM (SD) DV - 25 Mb/s IMX30 - 30 Mb/s IMX40 - 40 Mb/s IMX50 - 50 Mb/s Sony XDCAM HD MPEG - 18 Mb/s VBR MPEG - 25 Mb/s VBR MPEG - 25 Mb/s CBR MPEG - 35 Mb/s VBR MPEG – 50 Mb/s CBR MPEG-4 Proxies Sony XDCAM EX MPEG - 25 Mb/s MPEG - 35 Mb/s Panasonic DVCPRO (SD) DVCPRO - 25 Mb/s DVCPRO50 - 50 Mb/s Panasonic DVCPRO HD DVCPRO HD - 100 Mb/s AVC-I (no render) Native project formats: 1080i/59.94, 1080i/50, 720p/60, 720p/25, 720p/23.976 Microsoft VC-1 VC-1 (not supported on Mac PowerPC, edit/playback only on Mac-Intel) File-based support Avid Media Access (AMA) Avid Media Access provides full native end to end workflow for XDCAM HD and full native support including metadata integration and card/disc support for P2 and XDCAM-HD/EX formats. Sony XDCAM EX / XDCAM HD Full native direct access to XDCAM Media and metadata Native editing of all listed SD and HD data rates (see above) Import via File Access Mode (FAM) over IEEE-1394 Ingest via FTP client over Ethernet Ingest, Playout and Write-back of finished program to XDCAM media Panasonic P2 Full native direct access to P2 Media and metadata Native DVCPRO HD editing of all listed HD formats (see above) Direct edit of P2 media from cards or disk drive Support for P2 Store Write-back of finished program to P2 media (Windows only) Avid DNxHD All DNxHD formats Refer to the DNxHD White Paper for details Playback only, no capture Compressed SD resolutions AVR (playback only) 4:1s, 2:1s, 3:1, 2:1 (no capture) 15:1s, 20:1, 10:1 35:1p, 28:1p, 14:1p, 3:1p, 2:1p 4:1m, 10:1m, 3:1m(p), 8:1m(p) Uncompressed SD and HD SD 1:1 interlaced 8-bit 1:1 interlaced 10-bit 1:1 progressive 8-bit HD 1:1 8-bit (no capture) 1:1 10-bit (no capture)
Connectivity Host-based PCI-E (audio/video I/O) RS-422 (serial machine control) Soundcard audio input Soundcard audio output Graphics card output (full-screen video playback) What's in the box Software Avid Media Composer Avid MediaLog Avid Log Exchange Avid FilmScribe Avid EDL Manager Avid MetaSync Manager Avid MetaFuze Avid Interplay Transfer (standalone version) Third-party bundled software Avid DVD by Sonic - Industry-leading DVD and Blu-ray authoring (Windows only) Boris Continuum Complete - Comprehensive library of customizable video filters and transitions Sorenson Squeeze - Multimedia export with customizable compression templates SmartSound SonicFire Pro - Automated music track creation Avid FX - 2D & 3D compositing, titles, animation and effects NOTE: Avid Academic Composer Media only includes Avid DVD by Sonic. No other third party software is included. Hardware Keycaps labels Documentation Basics Guide Advanced Effects Guide Avid Resource Guide
Qualified platforms Supported operating systems Microsoft Windows XP Professional SP3 (32 bit) Microsoft Windows XP Professional SP2 (32 bit) Microsoft Windows Vista Business SP1 (32 bit) Microsoft Windows Vista Business SP1 (64 bit) Microsoft Windows Vista Ultimate SP1 (64 bit) Apple Mac OSX 10.5.5 (Leopard) Apple Mac OSX 10.5.6 (Leopard) Minimum system requirements for Media Composer Software - Windows Processors: Intel Core 2 Duo 2.33 GHz System Memory: 2GB of RAM Note 1: If working with complex sequences, (multiple effects/streams) or compressed HD resolutions 4 GB of RAM is recommended. Note 2: Vista requires 4 GB of RAM Graphics Card: NVidia Quadro FX 560 or higher Note 1: Only Nvidia cards are supported Note 2: Full Screen play feature requires a minimum of 128MB of graphics memory Internal Hard Drive: 40GB minimum hard disk drive Note 1: Any media drives need to be 7200RPM or greater Optical Drive: DVD capable drive required for product installation Minimum system requirements for Media Composer Software - Mac Processors: Intel dual, dual core 2.66 GHz Xeon Intel Core 2 Duo 2.33 GHz (laptops) System Memory: 2GB of RAM Note 1: If working with complex sequences, (multiple effects/streams) or compressed HD resolutions 4 GB of RAM is recommended. Graphics Card: NVidia GeForce family Note 1: Full Screen play feature requires a minimum of 128MB of graphics memory Internal Hard Drive: 40GB minimum hard disk drive Note 1: Any media drives need to be 7200RPM or greater Optical Drive: DVD capable drive required for product installation Miscellaneous Uncompressed video on laptops The support of uncompressed video on laptops is limited to one stream of uncompressed Standard-Definition. Avid Mojo SDI connection on laptops The connection of Avid Mojo SDI on laptops is only supported via an integrated IEEE-1394 port, not using PCMCIA cards. QuickTime Avid has tested and qualified Apple QuickTime version 7.5.5. Windows Media Player Microsoft Windows Media Player 11 is required in order to create various export formats, as well as to work with VC-1 codec material. Avid Mojo SDI connection Avid Media Composer software with Avid Mojo SDI must be installed on Avid-qualified platforms. For more details on PCI Bus Segment requirements see the PCI Bus Segmentation Requirements for Avid Mojo Avid Media Composer software with Avid Mojo SDI requires platforms with more than one PCI bus segment whenever external storage is used.  External storage
includes Fibre, SCSI, FireWire and Avid Unity media networks.
The configurations qualified by Avid will accommodate users
requirements for local storage and/or Avid Unity shared storage.
Avid Mojo SDI connects to the host via an IEEE-1394 cable. For proper real-time performance, Avid Mojo SDI must connect to a PCI bus segment that is not shared with any SCSI or Fibre Channel storage controller being used for local or shared storage. IEEE 1394 drives cannot be connected to the same port as Avid Mojo SDI. Avid Mojo SDI must be connected to the 1394a port. The 1394b port is not qualified for Avid Mojo SDI.
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